Yeon Woo Jhi on Star King

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Yeon Woo Jhi on Star King

Hot Pics # 1

These photograph collections are here to show the beauty and greatness of the female form. They are athletes of various sports who sculpted their bodies into living works of art.

Hot Pics # 1

Geraldo Show (1990): “Women’s Bodybuilding Sex, Sweat, Stigma, and Steroids”

Geraldo Rivera a talk show host, attorney, and reporter  at one time had a talk show, which became popular and gave rise to what is known as trash TV. Before Jerry Springer, Geraldo pioneered this format having stage brawls, celebrity gossip,  and general low brow misconduct. This program was clearly not a place of debate or intellectual discussion. There were attempts to reformat the program to such a platform in later seasons, but it was not a success. Viewers preferred outrageous chaos , rather than civil discussion.   Occasionally, there were episodes that at least tried to be informative or stimulating. What is fascinating is that  Geraldo  had a program featuring women bodybuilders and asked athletes about their experiences and the inner workings of the sport. The  episode was aired in 1990. The reason that the episode is of particular interest is that it explores the relationship between the body and gender. At the time when this aired, female bodybuilding was only close to a decade old and many people could not image women of such  with physiques. The audience reactions reveal much. Having athletes come and explain what they do helps break down prejudices or negative preconceived nations.

          The first show that aired in 1990 opens up with examples of changing standards of beauty. Geraldo says “over the past centuries we have changed the image of feminine beauty.” He then delineates the paradigms : the softer more plump body, the thinner model appearance,  and by the 1980s a more toned and firmer body. Geraldo then poses this question: “having we gone one step further than that?” The answer obviously is yes and the proof is the rise of the female bodybuilder, specifically in a more broad sense muscular woman. The idea of the weaker sex or biological inferior becomes challenged and alters particular power dichotomies. Strong man and weak woman can no longer be the  power order if there are other models that rival that concept.

Geraldo then proceeds to introduce the women who were at the top of the sport in the 1990s : Dianna Dennis, Lenda Murray, Janet Tech, Erika Andersch, and Laura Creavalle. This seems revolutionary although many people do not realize it. Never before in human history did women achieve strength and an image like this before. Muscular women have existed before this sport, but they were never given an outlet for their talents. The reason the muscular woman induces shock is that it overturns certain notions of the female body. The female body is either associated with being delicate or soft. Here the athletes on stage formed a new image of woman. When looking at the backgrounds of these athletes, they engaged in what is considered traditional feminine activities. Lenda Murray was a cheerleader, Janet Tech was a ballet dancer, and Dianna Dennis is a mother ( her son is asked a question by Geraldo). This shows that many people have a narrow idea about what a woman a is and what she can be. Clearly, women are more physically capable  than previously thought. The female body and appearance is constantly scrutinized. Female bodybuilders face this more so, because the deviate from the mass media defined image of beauty. Geraldo asks  question ” do ever sacrifice breasts?”  which exposes  a level of subtle sexism in regards to women’s bodies. Creavalle answers the question in a civil manner, joking ” I never had large boobs anyway.” It should be understood that breasts do not disappear with weight training. Women are subject to criticism more so about their appearance than men, due to negative views of women. To some people, women’s only value is their level of sexual attractiveness. This level of dehumanization goes back to a time when women were considered property. Misogyny dictated codes of behavior and conduct for women including the concept of femininity itself.

            The second half of the program shows the athletes dressed in regular attire. The discussion then goes to femininity and gender relations. Men’s reactions to muscular women’s bodies becomes a focal point. These reactions are not always negative. Some could be neutral, indifferent, or enthusiastic. One reaction is one of curiosity. If a man never has seen a woman this powerful before, their is a level of  wonder. It is something that they may not be used to. It is not everyday that a man runs into a woman just as strong or stronger than himself.

There is a reaction that has to do with intimidation. Geraldo poses the questioned to Carla Dunlap “Are men ever intimidated by your physique ?” Carla Dunlap explains this feeling of intimidation as insecurity among particular men. They may react to women who are assertive, intelligent, or confident  in the same manner. This also Carla says could be related to self-esteem, because they may be intimidated by other men they perceive as more attractive or successful. Then the fear is that some how these women would physically harm men. There is the idea that women like this would have a more belligerent attitude to men and as some put it “smack them up if they get out of line.” The strong woman is not violent, nor seeks violence against men. There is a habit of an oppressor group making claims the oppressed want vengeance for past grievances. Some how there are men who are intimidated by strong women have reasoned are out to conspire against men in some way.

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     These false ideas and stereotypes are prevalent. This fear is more than just lack of knowledge, it could be based on sexist prejudice. Those of a more traditionalist perspective believe there a some activities that women should not attempt or be a part of. There is a misconception that physical strength is connected to toughness which is a male based gender stereotype.  The assumption based on this stereotype is that these women are less feminine, because they are strong. The questions in the second segment explore the biological and cultural dimensions of femininity. Questions asked of women then delved into childbirth and the effect of the menstrual cycle. These types of questions about child bearing potential would never be asked of male athletes. Medical research has proven that women who engage in physical activity will not harm their chances of childbirth. Amenorrhea can cause not solely by extremely low body fat levels, but by low calorie intake. The female body has been seen in terms of physical limitations and the fact that women give birth was a excuse to exclude them from various activities.  The natural feminine state in the traditionalist view was to be a baby maker. Dated concepts have been overturned, yet still persist. Women who are in the sport also to much surprise are still pressured by societal standards of beauty. The topic of eating disorders and breast implants are mentioned. Some women go to extreme lengths to achieve a particular look that could be harmful. It could be  the reverse of  a woman attempting to create a unhealthy slender body weight to resemble a model. The pressure to get breast implants also reveals another double standard that women face in terms of body appearance. The women look different on stage compared to off season.  Many times it would be hard to tell they have such physiques when fully clothed. Women who are sports have to  face this double standard in terms of acceptable feminine behavior and appearance.

           When discussing sports the topic of steroids inevitably will be mentioned. Steroids by this time where a schedule III banned substances in the United States. Laura Creavalle explains that drugs do not create  a great athlete.  Genetics, training, and nutrition are major factors to aspects of athletic performance potential. Use is not only in bodybuilding, but in track and field, baseball, football, weightlifting, wrestling, and various sports . The question of fairness is raised, however would this not be fair to a person who does not have the genetic advantage to excel? The reason this bothers some people is because it is moving humanity further to a point of transhumanism. This means humanity will be able to alter nature and biology so much through genetic engineering, biomedical science, and technology  that it will radical redefine what is human. There are numerous types of performance enhancing drugs and it is clear they are going to become more sophisticated. This debate does not have a simple answer, but one part is certain. The sports world does not need a war on drugs. The show was not afraid to mention this controversial topic.

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Sports organizations have the right to ban whatever substance they want to. However, individuals have to right and freedom to put into bodies whatever substances they decide to. Prohibition did not work with alcohol and the War on Drugs has caused major political and social damage to American society. Women are faced with a different dilemma in use. Harsh criticism and gender bias  are present for women. When people criticize muscular women, steroids are used as a justification for vituperation. It has been shown that more men use steroids than women, but women are stigmatized more so for use. The idea is that testosterone is a natural male hormone ( even though women produce it in small amounts)  and women taking the synthetic derivative violates nature . This idea has problems not only because of its gender bias, but inaccuracies. What we consider natural can be ever changing due to biology and environment. Humanity has the ability to change and alter themselves physically and mentally. The argument at that point becomes irrelevant. There are objections to use in women solely based on appearance. Women who either abused or have engaged in long term use may suffer from virilization. This shows that women are only valued for their looks, rather than genuine concerns about health. There are side effects, which could result in illness later in life, but the issue focuses more on image.   A combination of sexism and stigma make it difficult for women entering the world female bodybuilding.

         There has been an evolution in how women perceive their bodies. The athletes on the program have defined what is beautiful on their own terms rather than through a male dictation. It is a image that is both powerful and majestic, but does not lack a womanly charm. The sport continues to develop in multiple categories. Lydia Cheng  bodybuilder and judge stated on the program that the sport does change and that judges do not look for the same image every year. Since 1990,  the sport has advanced into different categories. There is fitness, figure, physique, and bodybuilding. Detractors say that bodybuilding for women is dead, but that may be the case. This is an evolution in aesthetics and the physical capabilities of the female body. Carol Ann Weber was asked the question in which direction the sport would go. Her response proved to be ahead of its time. The sport could either face challenges, dissipate, or go in a completely different direction. It seems all three of these events have happened. yet, the evolution is still not complete.

Women who engage in this activity also report have a new psychological sense of self. They feel more confident and secure about their own safety. Knowing that they are strong gives a new feeling of independence and self-reliance. Besides the transformation in both mid and body there has been a cultural impact. While not entirely accepted, muscular and athletic women have a presence in media. Crossfit and a larger arena such as the Olympics show to the public the public this new form of women’s physiques. The program seems to show the audience has a positive response to what these athletes do. However, there were audience members with an opposing view. Their ideas about femininity is that women should have a level of softness, yet they did not hesitate to say they respected their efforts and diligence. These comments of praise could be disingenuous, but they say so only to mask their beliefs in strict gender roles. The biggest irony it seems was that it was women who said they did not care for the muscular look. The positive aspect it seems that more of the audience approved than opposed. A sign of some progress at minimum in small steps. It is uncertain how many people either had their minds changed after seeing this.  An important topic left out the show was the fact that not only do these athletes find this new form of body attractive, but there are growing numbers of men who like the appearance of female muscle. The rise of the internet has only increased those numbers and it is uncertain how many male admirers there are.  This episode of Geraldo  was one of the rare cases in which it educated an audience about  a sport that women only recently got into.

Geraldo Show (1990): “Women’s Bodybuilding Sex, Sweat, Stigma, and Steroids”

William Moulton Marston : The Man Behind Wonder Woman

With the release of the Wonder Woman film in 2017, the superhero joins other DC characters that have become s staple in popular culture. Wonder Woman has appeared in television, comics, cartoons, and advertisements. The origins of the character reveal an interesting history and a more eccentric individual who created the character. William Moulton Marston (1893-1947) was a psychologist, inventor, and comic book writer  who conceived the idea of Wonder Woman . Comic books may seem like puerile entertainment to some, but they do have adventurous stories and impressive art. The stories they tell either have social commentary or a wider message. Marston’s creation was made specifically to promote  feminist ideas and  gender equality. Marston was a supporter of the suffragist movement and women’s rights. He had unconventional views about gender relations and lived a life that was rather scandalous at the time. William Marston lived in a menage a trois  with his wife Elizabeth Holloway Marston and Olive Byne. These two women were inspirations to the creation of Wonder Woman and also gave some of their input into the character.  William Marston could be described as many things: a visionary, fetishist, and a possible charlatan. However, these descriptions do not accurately capture a more complex figure. The DC comic book character he created was and continues to be more than just a cartoon character.

          William Moulton Marston did have a feminist vision of society. His thinking was to say the least different from the average man in terms of gender relations in the 20th century. Marston quote reveals much about his feminism when he stated “not even girls want to be girls as long as our feminine archetype lacks force, strength, and power.” Martson believed that women would one day acquire their rights and go on to lead the world to a new era of peace. He did not think this would happen in his lifetime, but thousands of years. The early comics do possess suffragist imagery. The cartoons of Annie Lucasta Rogers featured women in chains. During the 1910s  her cartoons appeared in various news papers devoted to the women’s suffrage movement.  The constant theme of chained woman in her cartoons was to demonstrate women’s lack of freedom in society. Martson continued that imagery in the Wonder Woman comics in the 1940s.

  When Wonder Woman was in a predicament her adversaries in most stories would tie her up. This was not just a simple trope, but had a deeper meaning. Either through her strength or wit Wonder Woman would escape captivity and defeat her nemesis. Her triumph was a metaphor for women’s struggle for equal justice and the elimination of the oppression of women. This message may not be as obvious to a reader who was just exposed to Wonder Woman comics. To the creators it was subtle when inserted into stories giving small psychological suggestions  to devoted readers of the comic.

RogersPeters  Marston was progressive in the sense he was more accepting of different sexual orientations, sexual fetishes, sadomasochism,  and transvestism. His book the Emotions of Normal people claims these elements of sexuality  and  fetishism are not abnormal. These are characteristics unique to individuals. This was written before the sexual revolution in which many of the conservative mores and practices were challenged. Moulton thought such characteristics were not just normal, but were inherited through the nervous system. This can be debated, considering environment also influences an individuals existence. Olive Byne and Elizabeth Holloway contributed to this book with research and writing. Although it was ignored and never got Marston the academic respect he desired, it does provide further insight into his thinking. Marston believed that some required emotional reeducation to accept the parts of themselves that were considered “abnormal” but were in reality normal. Women’s desire to be independent, free, or strong was not abnormal even though society condemns such attributes in women. Only when people change there emotional state in Marston’s  view would society radically change. William Moulton Marston was certain that one day women would rule the world. Matriarchy he stated would be a possibility in the distant future.

         Marston gave was convinced in his own words ” The next hundred years will see the beginning of an American matriarchy- a nation of amazons in the psychological rather than physical sense.” His predictions got even more bizarre saying “in 500 years, there will be a serious sex battle and 1,000 years women will definitely rule this country. “Marston’s predictions seem exaggerated, although may be he was talking more so about the possibilities of the rising second wave and third  wave feminist movements. Women have become more powerful compared to women of the past. The nation almost had a female president sooner than what Marston predicted in 2016.

2A3BBD2B00000578-0-image-a-40_1436042140248    The idea that their are amazons in the psychological sense, rather than physical is interesting. Men did not dominate women due to their greater physical strength. The unequal access to property, education, income disparity,  and legal protection ensured women’s subordination to men. A woman could be physical powerful, but if she has no legal. economic, and political power she could still be vulnerable to an oppressive social system. If Marston was alive today, he could be possibly shocked by the fact women in sports have in a radically different manner changed perceptions about femininity and what it means to be a woman. The female athlete has culturally become a Wonder Woman straight out of a comic book. When Martson created Wonder Woman he wanted a character that presented both beauty and strength. Strength specifically physical strength was considered a male only attribute, is no longer incompatible with beauty or womanliness. Women have never to this extent in human history have developed themselves physically. Women are beginning to define what is beautiful to them, rather than have the concept dictated to them.

Title IX has allowed for the rise of many women athletes. With modern media such as the internet and television the public is getting exposure to to these women with impressive physiques.  It seems there is a level of acceptance for the modern day amazon. These women however do not have the desire to establish a matriarchy or dominate men. Unlike Wonder Woman, they do not battle super villains or go on adventures. William Mouton Martson’s  prediction of matriarchy is clearly wrong. He was right in the regard that the sexes will have more equality in the future. Assuming there is not a collapse in civilization, progress can be achieved. Yet, there is always the threat or reactionary movements or political and ideological  extremism. These threats can happen in both democratic and authoritarian political systems. Martson’s battle of the sexes is unlikely to happen seeing as men and women need each other. It is also erroneous to assume that women want revenge for past abuses. Ever since, Hillary Clinton’s loss in the 2016 election more women have become politically active in the United States and are seeking to run for office. William Marston ‘s prediction of waiting 1,000 years  for more female leadership  could come sooner than one thinks. Various nations have in the past and present have had female leaders. The US lags behind in this regard. William Marston  took the position of cultural feminism of the 19th century, which regard women as more peace loving and that female virtues would lead to a less turbulent society. They emphasized that women’s difference made them morally upright . The problem with this argument was that it promoted gender stereotypes and stated women’s superiority. There is no “superior sex” and women are not all peace loving and nurturing individuals. There are instances in which women participated in war or contributed to their conduct. It is a myth that the world would be more peaceful if women were in control. The ethnic, national, and cultural hatreds are too powerful. Marston’s  theories of the future were not accurate, but it is obvious that he was a firm believer in  progressive era movements. This included not only the suffrage movement, but the birth control movement. When Emmeline Pankurst  was banned from speaking at Harvard University in 1911 for the Harvard Men’s  League for Women’s Suffrage, this had an impact on Marston. The Harvard freshman became more staunch in his support for women’s rights in the face of this act of censorship. When Martson entered the comics world he had already acquire a vast amount of knowledge about the women’s movement and had a Ph.D  in psychology. This allowed him to create not just a cartoon character, but  an icon and symbol for women’s equality.

           When Maxwell Charles Gains got into contact with Marston, comics were facing criticism. The father of the modern comic book  realized that this new industry was facing a public relations problem. Critics claimed comics were an awful influence on children and were too violent. Marston thought that comics were enriching to children. The issue as William Moulton Marston saw it was that there were too many male superheroes promoting “blood curdling masculinity.” Marston realized that a female superhero would stand out as something unique and also promote his beliefs. If young girls saw a strong woman, they would have the desire to become strong independent women in adulthood. The intent was to use this entertainment medium to influence young people’s ideas about women by means of psychology.

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Exposure to certain images in youth does influence attitudes and mores. Here by showing Wonder Woman as a positive figure, the strong woman will not hold a negative connotation. There was special attention given to character design. Wonder Woman’s design was based of the Esquire Varga Girls centerfolds of the 1940s. The women were not rail thin, but more athletic looking and fuller. Her costume even resembled the swim suits that the models would wear. This was later redesigned to have Wonder Woman wearing a skirt. H.G Peters was responsible for the development of the character design. The final version William Moulton Marston was satisfied with. Originally Marston wanted the character to be called Suprema, however Wonder Woman seemed to be a better fit.

Wonder Woman would then make her debut in All Star Comics # 8 in 1941. From that point on she would become of the most recognizable female superheroes. Wonder Woman was unique in the sense that she broke the prevalent trope of damsel in distress. The only roles in comics that women characters filled were either supporting cast , wives, mothers, or a person for the male hero to rescue. William Moulton Marston would continue to write Wonder Woman stories for  the comics until  his death in 1947. The last years of his life were devoted to his creation an embodiment and symbol of female empowerment.

       There is another side to Dr .Marston    involved sexual fetish. The most obvious fetish was bondage that appeared in Wonder Woman comics in the 1940s. Wonder Woman many times was either chained or her enemies were restrained. The breaking of the chains is also a political metaphor, yet it also has a sexual nature to it. There is a relation between dominance and submission in regards to women and men. Marston with his theory was that if men submitted to women’s loving authority, this would create harmony among the sexes. Domination and submission should be traded off between the two sexes. To William Moulton these are harmless sexual fantasies and as long as they do not depict extreme violence or degradation, they are healthy expressions. Submission was not an awful attribute in his view. Dominating and imposing attributes he thought were. There also another element that is ignored. There is an emphasis on Wonder Woman’s immense strength and athletic ability.

peter-wonder-woman-3     This was clearly based on certain sources. The amazons in Greek mythology were warrior women noted for their skill in battle. Drawing on that context this would be an obvious attribute to give the Wonder Woman character. The women that William Moulton Marston knew had athletic backgrounds. Elizabeth Holloway was a field hockey player in college. Olive Byne also played basketball, which is of important significance. Basketball was one the few sports women got access to on US college campuses in the late 19th and early 20th centuries. Alice Marble who served as editor for the comics between 1942 and 1944 was a tennis champion. Besides the bondage theme, he wanted Wonder Woman’s athleticism and physical strength emphasized throughout the comic. Wonder Woman in the comics played baseball, ice hockey, tennis, and swims in some issues There was even one in which she established a chain of fitness clubs. These comics show that Marston had more than just a simple admiration for the female form. His fetish could have been cartolagnia  and  sthenolagnia.

This arousal from the demonstration of strength and display of muscles seems more apparent in Wonder Woman’s fights and general strength feats. Even other characters take notice of her physical abilities. The golden age version of  Wonder Woman only loses her strength when her wrists are chained by a man. The metaphor basically being accepting an oppressive system will never improve anything, because Wonder Woman only loses her power if the is done willingly according to Aphrodite’s law. There has been a segment of men who enjoy a powerful woman whether it is either mental or physical power. William Moulton Marston even explained that ” frankly Wonder Woman is psychological propaganda for the new type of woman, who I believe who should rule  the world.”  Moulton’s new type of woman is one that is powerful mentally, physically, and also has a loving nature.

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The new woman has apparently arrived in some sense. There is a female presence in occupations that were mostly male dominated. Women are emerging  in the science and technology fields. This combined with areas associated with masculinity such as sports, politics,  and the physically demanding occupations means that there has been progress to a new archetype. The development is disjointed and there are disparities that still face women depending on which nation. The same prejudices and hatreds remain. Marston’s new woman has arrived. The new era of peace, however may never come. That theme may have come out the desire to see World War II end. Fascism was terrorizing the world and the idea of a peaceful future was something desirable. Mouton would be very impressed with the women of the modern world and specifically how certain women embody the Wonder Woman principles.

Some women even look more Wonder Woman than what Marston could have imagined. The strides that have been made in such a short period of time are impressive and there is much work that has to be done. Marston’s strong women were the wave of the future and his love for them presented itself through the comics he wrote for. The lasso of truth is not just a tool of Wonder Woman, it is a part of bondage imagery. Wonder Woman used it to make her enemies confess, simultaneously the image of dominatrix becomes apparent. Critics were quick to recognize this imagery.  These depictions were mild compared to a modern day standard. There were even complaints from the National Organization for Decent Literature  about Wonder Woman’s costume being too revealing . That Catholic organization added comics and specifically Wonder Woman to their banned list of books. Maxwell Gaines  tried to even get Marston to reduce  on the bondage imagery by 1943. Marston was never going to eliminate the bondage theme completely, so a solution was made by Dorthy Roubicek  to restrain Wonder Woman in different ways.She was the editor of Gaines and was able to placate member of the editorial board. The amazing element is that the early Wonder Woman comics combined feminism, sexual fetishism, psychology, action, and adventure into a truly unique comic.

       William Moulton Marston  also tended to be somewhat charlatan in certain ventures. His odd combination of careers demonstrated this dimension of his personality. Marston was part inventor developing one of the early polygraphs. The lie detector test Marston claimed was a great discovery in the detection of lies. He claimed it was the science of the detection of deception. Marston even went as far to publish a book called The Lie Detector in 1938. This was not an academic work, but was really attempting to sell an idea to the general public. There really  is not a scientific method of detecting lies. Marston argued this anyway with little evidence or research. This was more apparent with the publicity stunts Marston organized having press conferences and even erecting a booth at the 1939 World’s Fair. The problem with the polygraph is that it cannot repeat the same results. There is a possibility that a competent liar could pass the test with no problems. Marston claimed to be the master of detecting lies. It was apparent that his findings were fraudulent. The first time Marston entered in business it ended in fraud. He was an unsuccessful lawyer and failed to get his polygraph results as admissible evidence. Marston only worked for Universal Studios for one year in 1929 as a consultant before being terminated. The world of academia had pretty much by the 1930s rejected him. Demoted from chairmen of the psychology department to adjunct professor at American University few took an interest in his theories. William Marston made limited effort to explore new elements of psychology, instead focusing solely on his theories. The promotion of the polygraph may have been out of the need to create financial stability. This also explains why Wonder Woman carries a lasso of truth. It is her personal lie detector. There was a showman and conman element to Marston. However, the support for the women’s cause was genuine.

          William Moulton Marston was a fascinating figure. He was a mad who live with both his wife and mistress  and they provide input as wells as inspiration to the creation of Wonder Woman. He could not hold a job for long and was hoping someday his theories would get notoriety. The body of work he produced related to psychology appeared in academic journals or books for the general reading public. This is either forgotten today or merely part of an archive. Marston would not become a Carl Jung, Sigmund Freud, B.F Skinner, or an Abraham Maslow. Ultimately he would be remembered for his contribution to the golden age of comics. Wonder Woman was the first female superhero to have her own comic. Her popularity rivals Batman and Superman’s. There is an enduring legacy and she will continue to part of DC’s star characters. Marston did make one prediction that was correct: women will no longer accept secondary status forever. The eccentric psychologist and writer would be proud of the real life superwomen changing the world everyday.

 Further Reading

   Pollitt, Katha. “Wonder Woman’s Kinky Feminist Roots.” The Atlantic. Atlantic Media Company, 14 Oct. 2014. Web. 09 June 2017. <https://www.theatlantic.com/magazine/archive/2014/11/wonder-womans-kinky-feminist-roots/380788/&gt;.

Lepore, Jill. The Secret History of Wonder Woman. New York : Vintage Books ,2015 .

William Moulton Marston : The Man Behind Wonder Woman

Carla Dunlap’s Workout Tips

Carla Dunlap a Ms. Olympia champ gives a demonstration of simple workouts from a video in 1984. These exercise do not require machines or free weights. Some exercises help with posture and back issues. Carla demonstrates rollbacks and how do use a simple towel to do simulated biceps curls. Carla also shows viewers how to do neck exercises as well.

Carla Dunlap’s Workout Tips